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Competition Categories 
 
 Tournament of the Golden Swan 
 Shire of Appledore 
 
 Each applicant must enter the eight (8) Required categories and four (4) of the six Optional categories. 
 
Required Categories:PERSONA CREATION: [Required] Applicants must develop an authentic and logical persona based on historical research and data. This persona cannot be one of an existing historic or literary character. Information provided in this competition must include: full name, date of birth, present age, place of birth and current residence, a brief geneaology that includes present social position, and a brief personal history.

Check.

CALLIGRAPHY
: [Required] Applicants must provide a calligraphed introduction to their persona. Information in this must include the information noted above (in category #1). Only a 8½" x 11" sheet of the introduction must be calligraphed. The criteria listed here is a minimum standard, it is not designed to limit creativity. Other persona information can be typed (double spaced) or legibly printed. 

Ick. Despite dating a calligraphy Laurel I still don't know how. This ought to be fun....

EVERYDAY LIFE
: [Required] Applicants must demonstrate a knowledge of everyday occurrences in the life of their personas such as hobbies, pastimes, religious observances, household duties (e.g. meal planning, entertainment, accommodations for visiting dignitaries and entourage etc.), community obligations, and other personal duties/needs of their persona
* Judging in this competition might be based on an informal gathering where personas might discuss the visit of a reigning monarch, the guild they belong to, anticipation of a coming holiday, their position in society. EXAMPLES ARE ENDLESS. 

Working on this one...

COSTUMING
: [Required] Applicants must make a complete and detailed costume for their persona, including undergarment/s, overgarment/s, and headwear. NOTE: footwear and accessories need not be made by the applicant, but must be provided.
* Judging will be based on construction and design; the applicants may be asked to show the inside of their clothing. (If this is done, it WILL be done in a discreet manner and will not include the last layer of clothing). 

Working on this one too.

NEEDLEWORK
(EMBELLISHMENT): [Required] Applicants must make a hand stitched favour to present at court and a utilitarian article. Suggested applications: embroidery, needlepoint, applique, lace making, weaving, Bullion work, spinning/weaving, sprang or other "needlework" appropriate to persona. "Needlework" may be incorporated into the persona's costume or accessories.
* Applicant must be prepared to document form of "Needlework" if asked to do so. (Asking must be done well before applicant arrives in Appledore).. 

Either cardweaving or naalbinding (or both! cardwoven favor + making my own trim for my gowns + naalbinding socks and mittens)

SKILLS AND TECHNOLOGY
: [Required] Each applicant is given a chance to display and demonstrate a skill or proficiency appropriate to their persona that is not covered in the other categories. Possible examples: falconry, jewelry making, herbalism, wood carving, detailed working knowledge of weaving. judging is done through a display and/or demonstration to the judges, and a discussion between judges and the applicant.
Applicant must inform the autocrat of any special needs at the time of application. Documentation of technique, materials, elements specific to persona, may be required. 

I am thinking soapmaking for this one.

COURTESY AND ETIQUETTE IN THE SCA
: [Required] Applicants must demonstrate a working knowledge of SCA courtesy and etiquette throughout the event by their deportment. A brief oral quiz will also take place. Topics will include addressing nobility, officers, peers and servants; table manners (for your persona); recognition of kingdom awards and devices; and, of course, courtliness and common consideration and politeness. 

Thank gods for 13 years in the SCA.

INSPIRATIONAL BEHAVIOR
: [Required] Each applicant must have a lord to fight for her in a prize tourney. A lord for the event will be provided if needed. The applicant will be judged on her behavior towards her lord throughout the tourney and feast. The applicant is expected to be present while her lord is fighting for her in the lists. (Sable Veil performances will be allowed and encouraged if the applicant feels that it would be appropriate to her persona.) 

Here's hoping I can provide my own w/out having to get a loaner fighter (would rather it be someone I know so I can make them a really snazzy favour that I know they'll love)
 
 
Optional Categories:DANCING: [Optional] Applicants must dance each of the following: Pavanne, Montarde, and one period dance of their choice. List your choice of dances on the application form, and bring a cassette with the music for all three of your dances to avoid unfamiliar music for the first two, or at least your dance of choice. 

*le sigh* if I was late period....

GAMES AND PASTIMES
: [Optional] Applicants must show proficiency in, and ability to teach, one indoor and one outdoor game, where appropriate to their persona. Suggested indoor games: chess, nine-men's-morris. Suggested outdoor games: jeu-de-boules (Bocce), Prisoner's Base. These are considered the "standard games" for this category. Candidate may substitute another game, indoor, outdoor or both, that is appropriate to her time period or culture.
Where appropriate for the persona, other pastimes may be substituted. Examples might include: riddles, string games or figures, word games.
Documentation is required for all games and pastimes of choice. It may be necessary for the candidate to discuss methods of judging for any non-standard pastimes. 

They found a Morris board in the Gokstad ship....good enough for me!! Will have to think about an outdoor one (oh [info]winterlion

BARDIC ENTERTAINMENT
: [Optional] Applicants must memorize and perform a period song, story, or poem of reasonable length. Performances will take place at the potluck feast on Saturday night. A maximum time limit of 5 minutes per contestant will be imposed. If time permits, other songs (SCA, etc.) will be allowed after all applicants have performed. 

This one should be doable if I find some poetry and recite it..

SURVIVAL TECHNIQUES
: [Optional] Applicants must prove their ability to survive a hostile situation. Techniques should coincide (loosely) with what is appropriate to their persona. This is not an entirely serious competition.
Techniques may include any of those below, but if you can convince the autocrat of a feasible method of testing, others may be chosen. If a technique other than those listed is chosen, the candidate must be prepared to demonstrate proficiency should the judges decide they are not convinced of the persona's ability to survive.
Documentation is required. It should include the availability of specific weapons or methods, and that it was acceptable or possible for a woman of this culture and time period to use and practice this skill. Knowledge of weaponry specific to the persona should be indicated, but demonstration and testing will be confined to SCA-legal weapons, protection and procedures.
Standard Survival Skills: any of the following:
a] Poisoning--the universal "woman's weapon". It is assumed that most women will have access to common poisons and knowledge of, or access to knowledge of, their use in any time period or culture. Documentation must include availability of poison specified, symptoms and results, methods of preparation and application. This will be judged by a "poisoning" at the feast on Saturday night. Victims will be assigned and a poison substitute (usually green Tic Tacs or other hard candies) will be provided. Bribing pr coercion of witnesses and other parties will be considered in terms of their effectiveness in furthering the survival of the persona.
b] Archery and Thrown Weapons: will be judged on the range in a standard format.
c] Sword and Shield: will be judged in the eric in a tournament style situation. The candidate may be entered in the tournament of the day, or a special combat or series of bouts may be arranged, depending on schedule and the candidate's preference. 

I'm going to skip this one entirely.

FOOD
: [Optional] The candidate should be able to discuss food and diet in general. Should have knowledge of sources of food (grown on own lands, imported, trade, etc.), preparation and storage methods, the equipment used for these, fast and feast days and customs for persona, restrictions on diet, any philosophy of food common to the era or culture. Cooking or food preparation can form part of this category but is not required. 

I've gotten some nifty food documentation already so I think I'll do this one as 3 of my 4 optionals.

HABITAT
: [Optional] This category overlaps that of Everyday Life, but is not identical. The candidate must display a working knowledge of the persona's home such as that displayed during the Everyday Life discussion. She should also have good overall knowledge of shelter in general in her time period and culture, the geography of her home and any other areas she should be familiar with, climate, who lives with or near her, sources of water, disposal of waste. (NOTE: Habitat and Food are judged in a round-table discussion. Since they overlap and intertwine so thoroughly with Everyday Life, we have decided that the best way of judging these categories is to combine the round-table discussion of Everyday Life, a Required category, with the round-table discussions of these categories.)

CINCH. I've BEEN to Vinland. Number 4 out of 4 for my optionals.
 
 
 BIBLIOGRAPHY: All applicants are encouraged to provide a bibliography of books and articles used to research the various aspects of their personas. This is to provide an on-going source of references for future applicants, and the populace of An Tir as a whole.
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Greetings from the Academy of S. Gabriel!

You wanted to know if <Astriddr inn spaka> is an appropriate name for
a woman born in Iceland, who then went on to Greenland and then
Vinland, around 1015AD.  Here is what we have found.

The standard scholarly Old Norse form of the given name is
<A/stri/{dh}r>, where the / represents an acute accent over the
previous letter, and {dh} is the letter edh, which looks like a
backwards '6' with a cross-bar. [1]  <A/stri/{dh}r> was in early use
in Old West Scandinavian, spoken in Norway, Iceland, and Scandinavia's
Atlantic colonies, being common in Norway through the whole of the
Middle Ages, with a couple of instances as early as the 9th c.  It was
also fairly common in Iceland in the 10th and 11th c., though later it
became much less common. [2]  <A/stri/{dh}r> was pronounced roughly
\AW-streedh(r)\, where \dh\ is the sound of <th> in <this> and the
\(r)\ represents a softly voiced trill.

As a byname the adjective <spakr> seems usually to mean 'wise, often
with the notion of prophetic visions', though the word also means
'quiet, gentle'.  We found an example of the feminine byname <en
spaka> 'the wise', borne by an Icelandic woman who died in 1031. [3]
The definite article takes different forms for masculine and feminine
names, and <inn> is a masculine form.  The corresponding feminine form
is <in>, sometimes found in the variant form <en>, especially in early
manuscripts, but its oldest form is <hin>.  Just as <A/stri/{dh}r> is
a standardized scholarly form of the given name, <hin spaka> is one
standardized scholarly form of the feminine byname. (There are others,
but this one seems most appropriate, since it corresponds perfectly to
the likeliest runic spelling, which we give below.)  The byname was
pronounced roughly \hin SPAH-kah\.

During this period, a Norse woman would have written her name in
runes.  The earliest runic inscription from Greenland is from Narssaq
in the beginning of the 11th century, which can be seen here:

  http://arild-hauge.com/gronrune.htm

The runes are a mixture of the futharks labelled 'SHORTTWIGS-RUNES
FROM CA. 900 AD' and 'NORWEGIAN RUNES CA. 1000 - 1050 AD' at

  http://arild-hauge.com/enruner.htm

If you can read the futhark off that middle stick, you'll have a set
of runes that are about as authentic as possible for the persona in
question.

We believe that the most appropriate runic spelling of <A/stri/{dh}r>,
using these runes, is <ostri{th}r>, where <o> is the fourth rune in
the listing of Line B.  In this same set of runes, we believe <hin
spaka> would have been spelled <hin spaka>. [4]

In sum, <A/stri/{dh}r hin spaka> is a fine choice.  In the runes
we've recommend above, this name could have been spelled
<ostri{th}r hin spaka>.

We hope that this letter has been useful to you and that you won't
hesitate to write us again if any part was unclear or if you have
further questions.  Research and commentary on this letter was
provided by Maridonna Benvenuti, Aelfwynn Leoflaede dohtor, Juliana de
Luna, Talan Gwynek, and Ines Alfon.

For the Academy,
-Aryanhwy merch Catmael, 04 September 2006

--
References:

[1] Fleck, G. (aka Geirr Bassi Haraldsson), _The Old Norse Name_,
Studia Marklandica (series) (Olney, Maryland: Yggsalr Press, 1977).

[2] Lind, E.H., _Norsk-Isla"ndska Dopnamn ock Fingerade Namn fra*n
Medeltiden_ (Uppsala & Leipzig: 1905-1915, sup. Oslo, Uppsala and
Kobenhavn: 1931), s.n. A/stri/{dh}r

[3] Lind, E.H., _Norsk-Isla"ndska Personbinamn fra*n Medeltiden_.
(Uppsala: 1920-21), s.v. Spaka.

[4] Hauge, Arild, "Norske Runeinnskrifter med de Yngre Runer" (WWW:
Self-published, 2006)
http://arild-hauge.com/innskrifter1.htm
Tags:
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Mowat, Farley. West-Viking: The Ancient Norse in Greenland and North America. Toronto: McClelland & Stewart Ltd, 1965
Jones, Gwyn. The Norse Atlantic Saga. London: Oxford University Press, 1964
Boorstein, Daniel J. The Discoverers. New York: Vintage Books, 1985 (209-217, 691-692)
Johan Grundt Tanum Forlag (Joan Tindale Blindheim, tr). Vinland The Good: The Saga of Leif Eiriksson and the Viking Discovery of America. Oslo: Fabritius & Sonners Boktrykkeri, 1966
Byock, Jesse. Viking Age Iceland. London: Penguin Books, 2001
Chartrand, R, K. Durham, M. Harrison, I. Heath. The Vikings. Oxford: Osprey Publishing, 2006
Dersin, Denise. What Life Was Like...When Longships Sailed. Alexandria, Va: Time-Life Books, 1998
Tryckare, Tre. The Viking. Gothenburg, Sweden: Cagner & Co, 1966
Simundsson, Elva. Icelandic Settlers in America. Winnipeg: Queenston House Publishing
Ingstad, Helge. Westward to Vinland. London: Book Club Associates, 1974
Skelton, R.A., Thomas E. Marston, George D. Painter. The Vinland Map and the Tartar Relation. New Haven: Yale University Press, 1967
Ingstad, Helge, Anne Stine Ingstad. The Viking Discovery of America. New York: Checkmark Books, 2001
Yates, Anna. The Viking Discovery of America. Reykjavik: Iceland Review, 2000
English, L.E.F. Historic Newfoundland. St John's: The Newfoundland Department of Tourism, 1979
Karlsen, Leif K. Secrets of the Viking Navigators. Seattle: One Earth Press, 2003
Carter, W. Hodding. A Viking Voyage. New York: Ballantine Books, 2000
Irwin, Constance. Gudrid's Saga: A Documentary Novel of the Viking Colony in North America. New York: St Martin's Press, 1974
McGrail, Sean. The Ship: Rafts, Boats and Ships. London: National Maritime Museum, 1981
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